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評論 (8)

2 months ago

She looks friendly! (Yes in an horror movie I will be the first victim 😅 )

2 months ago

I am so glad I saw this post just after waking up and not right before going to bed! 😱 #12, #19 and especially #15 are are the most unsettling to me for some reason. Even though those are the ones where she doesn't actually leave the painting.

樓主2 months ago

So… which one of these gave you the strongest ‘fuck this, I’m out’ vibes? 😱

2 months ago

😈: Awesome!!! 🤩

2 months ago

Norman Rockwell would be proud, so fine and wall breaking 😍

2 months ago

9 and 10, I'd be gone!

peterco

60 天前

🎨 She Waits in the Canvas

What about this, @zuzul @cef_ultra @octavian @warmicestudios @parda @bad77 @terror2 @zesoul ? Not cute kittens this time, right? 👻 What do you think, guys? How good is Amanatsu model in creating scene that radiates a heavy, oppressive, yet erotic horror atmosphere? In a dimly lit room, a large painting rests on an old wooden easel. The canvas depicts a terrifying yet seductive ghostly female figure standing in dark, rippling water. She is completely drenched in shadow, her long, wet black hair cascading heavily over her face and upper body, completely obscuring her features. Her pale, naked silhouette is visible through the darkness — bent forward in a haunting, almost inviting posture. Black, tar-like liquid drips slowly from her hair and body, blending into the water around her feet. The background of the painting shows a desolate, twilight landscape with bare trees and distant flickering lights... A painter's hand reaches cautiously toward the painting from the foreground, as if he is tempted to touch the cursed artwork… or as if the figure inside is reaching back. Evolution of the idea, from last picture to the first.