53
hand over own mouth

hand over own mouth

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1girlbreastsblushlong hairindoors1boyheterosweatsoloblack hairlarge breastsshirtnipplesbare shouldersthighsuncensoredlooking at viewershort hairbrown hairsolo focusclosed mouthstandingsittingmedium breastsopen mouthpenisblue eyespussylong sleeveswhite shirt
AI art 'Movie Night🌙'

Movie Night🌙

a_casual_prompter
AI art "Vesper: She is a grateful soul ☠️"
7

Vesper: She is a grateful soul ☠️

cef_ultra
AI art "Anne: u up?"
20

Anne: u up?

onlyyouprod
AI art 'Mega Tokyo 2032 AD File 2.6: The Chang Case Part 7' with user description 'Case File 2.5: The Chang Case Part 7 Classified: For Official Use Only A notification appears on the holographic interface, bathing the dark room in a red glow. ???: Sir, Amber has been destroyed. Brian: Really? What a waste; I’m going to miss her perfect little asshole. ???: One of the Knight Sabers and the detective with the cybernetic arms defeated her. Brian: How is that possible? Even if Amber wasn't the latest model, she should have had the upper hand. ???: She did, but the detective doesn't have ordinary cybernetic arms; she possesses an EMP that doesn't affect her own limbs. Brian: They exploited her weakness. Clever—but how did they know? ???: She was contacted just before they used the EMP; I can't trace it. It’s an intelligence-grade encryption. Brian: The old man won't like this. Ruby, compile a database and then come here. Ruby: Done. A slender young woman with an expressionless face looks up from the interface. She stands and slips off her black dress; she looks exactly like Amber, except for her red eyes and hair, and she shares the same diabolical laugh. Ruby moves toward Brian. Brian: Ruby, you and Sapphire will take care of the Knight Sabers. Understood? Ruby: Yes, Sir! Brian looks down into two sapphire-green eyes while his cock is buried deep in her throat. She is bound with red ropes—not to restrain her, but simply as part of the act—as she lets Brian fuck her throat. Her gaze mirrors Ruby's. Brian slowly withdraws his cock from her throat and rubs it across her face. That same diabolical smile now plays across her features as well. Sapphire: Yes, Sir! And the detective? Brian: Ruby, contact the space station. Ruby: Establishing the connection. Brian: Crystal! I have a mission for you! Come back to Earth! Ruby: Crystal is coming back to us? A woman appears on the interface who looks exactly like the other two, yet she has silver hair and eyes that look even more dangerous. The grin on her face makes one's blood run cold. Crystal: As you wish, sir! That was close—too close. I rise from my crouch and stare at Amber’s burning remains. The pilot of the power suit does the same. I can hear the sirens of the reinforcements approaching and look in the direction they are coming from. When I turn back to the power suit, I realize it has vanished. Then it occurs to me that Linna must be here, too. Hana: Linna, where are you? She steps out from behind a dumpster. Hana: Linna, are you hur... I don't get any further; she rushes toward Irene. I grab her arm and hold her back, gently but firmly. Hana: Linna, please don't—this is a crime scene now. Linna: I have to help Irene... Hana: I'm so sorry... There's nothing more that can be done for Irene... Linna: No... She's... ali...ve... I pull Linna into an embrace as the undeniable truth crashes down on her and she begins to weep uncontrollably. I only vaguely register the arrival of the reinforcements—the concerned faces of Leon, Delay, and even Captain Tanaka. After a friend named Sylia picks Linna up and assures me she’ll look after her, we begin securing the evidence. A few hours later, Captain Tanaka sends me home. I can't deny that the night's events have taken a heavy toll on me. On the way home, I try to reach Akiko; I need someone to talk to. But she’s working tonight... Dejected, I open my apartment door, wanting nothing more than to go to bed. The tension of the evening drains away, and I begin to cry. We who survived—we who tried everything to save Irene’s life—must now accept, with heavy hearts, that she is no longer among us. Some suffer because there was nothing they could do; others, because they weren't strong or fast enough. Genom will pay for this; those who do not value a human life will feel the full force of the law—even if it is the last thing I ever do. I feel so alone... Ryu... where... are you? I need you... so... much... You reached the end of this file. Don't forget to close it if you are finished.'
28

Mega Tokyo 2032 AD File 2.6: The Chang Case Part 7

gildenstein
AI art 'Compromising Positions' with user description 'Sometimes, you just can’t wait.'
22

Compromising Positions

usagi77
AI art 'Mega Tokyo 2032 AD File 2.4: The Chang Case Part 5' with user description 'Case File 2.4: The Chang Case Part 5 Classified: For Official Use Only Note: For Full experience playback this File: https://youtu.be/5dNP-a-XXx0?si=pyc3EIw8yG8XyEEX There’s the alley—I have to hurry; if Amber is really going after Irene, every second counts. Back on the street: God, Irene... where’s my phone? I... I need to call Sylia. My fingers are still shaking; I can't manage to dial her number. I use the voice command to start the call. It rings, and what feels like an eternity later, Sylia answers. Linna: Sylia, I urgently need help... Sylia: Linna, catch your breath first. What happened? Are you okay? Linna: No, the Boomer bodyguard shot at me and is now going after Irene. Sylia: LINNA! Are you hurt? Linna: No, just a graze. Please, you have to send Priss to me right away. Nene needs to track my smartphone so Priss knows where to go. I’m switching to my earpiece. Sylia: Okay. I’ll contact Priss immediately. I rush from the sofa into the study; the holographic interfaces spring to life. A password prompt lights up on one of them. Sylia: Knights Errant. Establish contact with Priss and Nene immediately. The system pings in confirmation, and two windows open. Sylia: Priss, Nene—we have an emergency. Linna has been shot, and Irene’s life is in danger. Nene, track Linna’s smartphone and relay the coordinates to Priss. Priss: Understood. I’m getting ready for deployment. Nene: On it. A third window opens, and Linna joins the call. Linna: I’m chasing her on foot! Priss, you have to hurry—it’s the Boomer bodyguard from the Genom building. It’s a matter of life and death! Priss: I’m already on my way. Nene, the coordinates! Nene: Sending them now; they should appear on your interface any second. Meanwhile, in the side alley: A lovely evening. I hope Linna gets home safely. What is that sound? A clacking noise like high heels—but who would walk through this alley in high heels? I turn around and freeze; it’s *her*. The laughter on her face comes straight from hell. Screams escape me and tears stream down my face as I run away from her. The clacking of her shoes grows louder; she’s chasing me. I... I... I’m panicking, I can’t breathe... I stumble and fall to the ground. Panic completely takes hold of me; desperately, I roll onto my back. Too late—she’s already over me... In another alleyway: That scream—that was Irene’s voice... Damn it... Hana: This is Detective Amano; I need immediate backup at my coordinates! A Boomer attack! I repeat, a Boomer attack! I draw my weapon. Please hang in there, Irene. At the AD Police Tower: Nene: Linna, Detective Amano is near you; she just called for backup. Linna: God, that can't be... A scream blares from the speakers. Linna: Priss! For the love of God, hurry! Priss: I’ll be there in two minutes! Back in the alleyway: Just around the corner now. I ready myself to fire instantly, then round the bend. The sight before me makes my blood run cold. Irene lies lifeless on her back; her eyes are vacant. Amber is covered head to toe in her blood. Her gaze holds absolute madness. Linna comes running from another alley; she freezes in her tracks and claps a hand over her mouth. Amber: Excellent—you’re coming to me. That saves me the trouble. Hana: Linna, take cover—now! I whip my weapon up and fire! The bullets ricochet off her skull. Damn... My eyes land on something approaching from behind Amber. A figure in a blue power suit? It’s closing in at incredible speed. A metallic sound rings out every time its foot hits the ground. Without slowing down, it attacks Amber and hurls her to the ground. ???: I'm gonna finish you off, bitch! You reached the end of this file. Don't forget to close it if you are finished.'
30

Mega Tokyo 2032 AD File 2.4: The Chang Case Part 5

gildenstein
AI art "Dark elf maid"
12

Dark elf maid

tonygmanch
AI art "TIMMY! TIMMY! I’M GONNA CUM!!!!!!!"

TIMMY! TIMMY! I’M GONNA CUM!!!!!!!

warmicestudios
AI art 'More FE Girls 1' with user description 'some short sequences with Elise, Corrin and Yunaka Search terms added from the future: Fire Emblem , penis awe blowjob oral doggy style from behind cock shock leg lock facial'
17

More FE Girls 1

onlyyouprod
AI art "Fern&Frieren"
3

Fern&Frieren

jlixard
AI art 'Killing Time' with user description 'So… um, you… you wanna… 💕~'
30

Killing Time

usagi77
AI art "Experiments - Multiple Views"
4

Experiments - Multiple Views

onlyyouprod
AI art

Tanpa Tajuk

rileyhalf
AI art "Haruhi 1/3 : VIP backstage meeting"
30

Haruhi 1/3 : VIP backstage meeting

zuzul
AI art
23

Tanpa Tajuk

rechi
AI art 'Veronica Takes Charge' with user description 'You go a bit over the line with the Princess of Embla, but you manage to make it up to her... (I'm now considering the first image of a post to be the cover image since that's what BetterWaifu currently uses for the thumbnail. The sequence officially starts on image two) Search terms added from the future: Fire Emblem Heroes FE FEH , blowjob deepthroat irrumatio cum in mouth oral creampie assertive female undressing stripping cunnilingus eating pussy female orgasm reverse cowgirl'
20

Veronica Takes Charge

onlyyouprod
AI art "Delia can’t finish her chores"
3

Delia can’t finish her chores

ulyth
AI art 'Holo and the Barn'
19

Holo and the Barn

kineticz
AI art "Office Lady's annual checkup part 1"
30

Office Lady's annual checkup part 1

salazar01
AI art 'Old men like young girls'
2

Old men like young girls

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