80
holstered

holstered

0 Follower
1girlbreastssololong hairlooking at viewerclosed mouthshirtlarge breastsblushweaponjewelrypantsholstergunstandingearringsmedium breastsbeltindoorsblue eyesblonde hairoutdoorsglassesbare shoulderscollarbonedrill hairhandguntwin drillsthighscowboy shot
AI art "Refining Carmen"
20

Refining Carmen

parda
AI art "Wild West Women"
17

Wild West Women

octavian
AI art "Some design concepts for 3 chraracters from the BGC univers"
13

Some design concepts for 3 chraracters from the BGC univers

gildenstein
AI art "ARRESTED!!!"
20

ARRESTED!!!

warmicestudios
AI art "Portraits"
8

Portraits

parda
AI art 'Mega Tokyo 2032 AD File 2.2: The Chang Case Part 3' with user description 'Case File 2.2: The Chang Case Part 3 Classified: For Official Use Only Brian J. Mason—I need to have Chris run a background check on him; that guy has more to hide than I’m comfortable with. I’ll deal with that later, though; first, I should speak with the three women. There’s a park located in front of the Genom building; I hope they’re waiting for me there—I desperately need some answers. A few minutes later, I find the three of them. The woman who was attacked by... what was her name again? Oh, right—Amber. She is sitting on a set of stairs, visibly shaken; her face is injured, and tears are streaming down her cheeks. The other two look dejected; the woman with long brunette hair is still rubbing her neck. She’s lucky Amber didn’t break her neck. They notice me as I approach them. Hana: Thanks for waiting for me. I honestly didn't expect you to still be here. I’m Hana Amano—a detective with the Homicide Division of the AD Police. And you are? Sobbing, the woman on the stairs answers first, followed by the dark-haired woman. Irene: Irene Chang. Linna: I’m Linna, and this is Priss. We’re friends of Irene’s. The long-haired brunette looks at me with disdain but says nothing. She’s reckless—and that’s dangerous. I shouldn’t underestimate her. Hana: Okay. Would one of you please explain what happened back there in the lobby? I didn't realize what was going on until Irene was already on the floor and Priss was being strangled by that Boomer bodyguard. Yes—Amber is a Boomer. It’s strange: when I mention that Amber is a Boomer, Irene is the only one who adopts a look of concern; the other two don't seem surprised at all. Hana: Irene, what did you want from Mr. Mason? Irene: He was my husband’s supervisor. Roy was at the facility that exploded, and... Her voice breaks, and she begins to sob as her grief overwhelms her. Irene: I... still... haven't... heard... from him... Her composure shatters amidst her tears, and she simply weeps uncontrollably. Roy? Roy Chang? I read that name on the list of victims. She doesn't know yet... She came here clinging to the hope that he might still be alive. I walk over to her and take her hand. Hana: I’m so sorry. Your husband didn't survive the explosion. I don't know the exact circumstances yet, but his name was on the list of victims. The expressions on the other two women's faces darken; Irene looks to be on the verge of a nervous breakdown. By telling her the truth, I’ve stripped away the very last shred of hope she had that her husband was still alive. Priss: Oh, just great, Ms. AD Police. I’ve had enough—I’m leaving. Priss pushes herself away from the pillar she’d been leaning against and walks away. I don't stop her, as I’m still occupied with Irene. Linna, however, stays behind and walks over to join us. Linna: Please don't be angry with Priss. She... hasn't had very good experiences—neither with Boomers nor with the AD Police. Hana: I understand. Linna, right? Did Irene do anything that might have given Amber a reason to use force? Linna: No, she just briefly touched Mason on the arm, and then... Hana: I understand. Thank you for the information. Could you please look after Irene? She really shouldn't be alone right now. Linna: Of course. I’ll do that. Linna helps the still-sobbing Irene to her feet, says her goodbyes, and leads her away. I stay behind for a few minutes to gather my thoughts. Finally, I head back to my car. I bring up my holographic interface to document everything, then I send all the data to Chris; I’m hoping he can find a connection. A few days later: I encouraged Irene to come to the gym with me, and today, she finally worked up the courage to do it. She still isn't feeling well, but it’s a start; I can’t even begin to imagine what she’s going through right now. After we finish our workout, we linger for a bit to talk about Roy. Linna: I understand—he wanted to make more time for you once the project was over. Irene: The project was important to him, but... She gazes pensively at the ring she wears on her right hand. I touch her on the shoulder, and she looks up at me. Linna: I’m here for you, Irene. Come on, let’s take a shower, and then I’ll take you home. Irene: Thanks, Linna. What would I ever do without you? I offer her my hand; she takes it, and I help her to her feet. We both take a long, thorough shower; she seems to enjoy washing away all that heavy emotional baggage. It takes us about twenty minutes to get ready and leave the gym. We still have to walk through a section of the shopping street to reach the parking lot. Irene considers whether she needs anything else, but she doesn't stop at any of the stalls. I let my gaze wander over the merchandise on display. Suddenly, something catches her attention. Irene: Uh, Linna—tell me, isn't that your car getting towed right over there? Linna: What do you mean...? You reached the end of this file. Don't forget to close it if you are finished.'
17

Mega Tokyo 2032 AD File 2.2: The Chang Case Part 3

gildenstein
AI art 'Her outfit for her new job at homicide?' with user description 'I tryed a littel around but it doesn't feel right...'
5

Her outfit for her new job at homicide?

gildenstein
AI art 'Cyberpunk Style Hana' with user description 'I got the idea to try some Cyber/Mechanical arm out. So she fit to cyberpunk future.'
13

Cyberpunk Style Hana

gildenstein
AI art 'The Friendly Sheriff' with user description '"Well, howdy there, handsome. Welcome to Virgin Springs. I'm Kate Miller, the sheriff in these parts. You'll find the folks here are good people and easy to talk to. If you need a place to stay, there's the Belmont Hotel down the street a ways. If you're feeling a mite hungry, Bonnie's is the place to go. The chicken fried steak is fabulous! And, uh, if you're looking for a nice girl to hang with, I'm either here or down at Bonnie's..."'

The Friendly Sheriff

saltymajor778
AI art "I love you. Good bye. 💔"
20

I love you. Good bye. 💔

warmicestudios
AI art 'Ready for combat' with user description 'Hana in different combat outfits.'
8

Ready for combat

gildenstein
AI art "Save a horse, fuck a cowgirl"
4

Save a horse, fuck a cowgirl

berri32
AI art 'Another Day, Another Adventure' with user description 'Lara Croft received a mysterious letter about a rare treasure in a remote part of the world. The letter also included a map showing the location of the rare treasure. Thus begins a new chapter in the life of the fabled adventurer...'

Another Day, Another Adventure

saltymajor778
AI art 'Mega Tokyo 2032 AD File 2.1: The Chang Case Part 2' with user description 'Case File 2.1: The Chang Case Part 2 Classified: For Official Use Only The woman in the black dress looks at me with a laugh that borders on madness. She is strangling a long-haired brunette woman, effortlessly holding her nearly twenty inches off the ground. The brunette struggles to twist free from the grip but grows weaker by the second. It dawns on me that she must be a "Boomer"—this could turn ugly fast. I repeat my demand with greater emphasis. Hana: Let go of that woman—immediately! I aim my pistol right between her eyes. Time seems to slow to a crawl as my index finger—which had been resting straight along the slide—curls around the trigger. And slowly begins to pull it back. Brian: Amber! That’s enough! Let her go! Amber: As you wish, Sir. The man in the suit with the slicked-back black hair brooks no argument. Her grip loosens, and the brunette slumps to the floor; my grip on the trigger relaxes, and I breathe a sigh of relief. The brunette lies on the ground, gasping for breath, clutching at the throat where she had been strangled just seconds before. A strange scene unfolds before me: three women—two on the ground, and the third looking on with concern. And then, that devil of a woman. She has raised her hand in a placating gesture. Amber: Do your job and remove the disruptive elements, Officer. Hana: Detective! I don't take orders from you. You’d be better off watching out so I don't arrest *you* for assault and resisting arrest! Brian: I think my bodyguard got a little carried away. Priss: Got carried away? That bitch nearly killed me! Brian: Detective, would you kindly reprimand this vulgar woman? My presence is required elsewhere. Amber—come on, let's go. He makes no secret of the fact that he considers us all beneath his level. Both of them turn around and walk away without another word. Before stepping into the elevator, she turns back one last time, flashing the most wicked smile I have ever seen. I walk over to the woman who was knocked down by the bodyguard. She has injuries to her face and legs resulting from the fall. She still seems shaken; I gently place a hand on her head before helping her to her feet. Hana: Are you two okay? Irene: ... Priss: Could be better. Shit. I address the third woman. Hana: Hey, you. Would you please take these two outside and wait for me there? I still have some questions for you all. Linna: Oh, yeah, sure. She takes the other two in tow and leaves the building. I head to the reception desk and try to find out who that guy was. Meanwhile, in the elevator... Brian: Amber, what am I going to do with you? Your behavior really turns me on. Amber. Even though she is just a machine, her model is capable of sexual acts. She is already kneeling before me as I free my cock from my pants and slap it against her face. She extends her tongue and licks my shaft all the way up to the glans—a sensation that arouses me, especially when I think about how she just wrecked those two sluts. Amber opens her mouth and takes my glans inside. Her tongue is driving me wild; I grab her head and thrust my cock deep into her throat—again and again. Who needs real women, anyway? She doesn't need to breathe or swallow. I can do whatever I want with her. With a chime, the elevator signals that we have arrived at the penthouse. I pull out of her throat, take her hand, and lead her to the couch. She pushes me down onto the couch, lifts her dress, and sits down backward on top of me. As she does so, she guides my cock into her anus. God, it feels so real—without the downsides. The built-in lube pump does a fantastic job. I thrust hard into it until I can't hold back anymore and I come. Brian: Amber, you will take care of these women! Amber: With pleasure, Sir. You reached the end of this file. Don't forget to close it if you are finished.'
23

Mega Tokyo 2032 AD File 2.1: The Chang Case Part 2

gildenstein
AI art 'Cocktail Girls' with user description 'Old Fashioned, Gin and Tonic, Aviation, Jack & Coke, Mimosa, Screwdriver, Martini, Espresso Martini, Blue Hawaiian, Cosmo, Mojito, Clover Club, Margarita, Negroni, Last Word, Bee’s Knees There is nothing I can’t target with the Waifu Beam (tm). >:D The literal drinks in the pics don’t always match the cocktail, but the girls do in both color and stylings.'
16

Cocktail Girls

usagi77
AI art "And off to the world we go..."
8

And off to the world we go...

warmicestudios
AI art
2

Sem título

ulyth
AI art "lara croft tomb raider"
12

lara croft tomb raider

needsbloods0
AI art 'Miss Belle' with user description 'After @octavian posted his amazing "Southern Girls" set with girls in cowboy hats, I had a blasphemous idea: how about a hentai Wild West? So, here it is. Meet Miss Belle and her horse, nicknamed Whore's Horse 🤠'
8

Miss Belle

peterco
AI art 'Mega Tokyo 2032 AD File 1.1: The Body from Pier 17 Part 2' with user description 'Case File 1.1: The Body from Pier 17 Part 2 Classified: For Official Use Only Leon and Daley are on their way back to their car when: Daley: Something’s not right here. Leon: What do you mean? Daley: You saw the look on her face, didn't you? She’s hiding something that look in her eyes. Leon: Oh, come on, you’re overthinking it. She was nervous we were, too, on our first day. Now come on, the Boomer isn't going to clear all these cases by himself. Daley: Yeah... maybe you're right. Meanwhile... The darkness of the room is intensified by the absence of windows. A man enters; holographic monitors provide only a faint glow. He takes a seat in a chair facing a large screen, just as a deep voice resonates from the speakers. ???: Brian, what on earth was that idiot thinking, mentioning the OMS in front of her? Brian: Don't worry about it; I've already tied up that loose end. He’s among the casualties from Aqua City. ???: I expect never to hear another word about this. Do we understand each other? Brian: Of course. Progress on Project Red is coming along nicely; the initial test runs are promising. ???: Good. When can we test its full potential? Brian: Soon. I’ve already had the essential engineers and the materials for the prototype transferred to a different facility. ???: No loose ends, Brian! Brian: Understood. The monitor goes dark, leaving only silence in its wake. "Old fool... it won't be long now before I finally get you off my back." Back at the crime scene... Okay... deep breaths, Hana. He can't hurt you anymore. I steel my nerves and begin examining the body. Outwardly, I can’t detect any signs of violence, his mouth and trachea appear to be filled with water. That would point to drowning... Hmm... for someone who hadn't encountered him before someone who didn't know what he was... that would be a plausible conclusion. Wait... what is that on his neck? I tilt his head until I spot a small puncture mark, it appears to be situated directly over the artery and it's, at most, a few hours old. Perhaps just prior to the incident? I make a note of my discovery and decide to inform the medical examiner, perhaps he can confirm this. I look around for surveillance cameras how convenient, not a single one in sight. I doubt he was actually working here when the incident occurred, I suspect, rather, that he was simply dumped here. Be that as it may, don't expect any sympathy from me. I cordon off the crime scene and notify HQ that the body is ready for pickup; with one last glance back, I return to my car. Captain Tanaka send me message a short while later, and he shares my assessment—at least the official one. I’ll have to inform the Chief about this, though not today, my shift ended two hours ago. I stow my gear, get in, and drive off. I need to speak with Akiko, so I give her a call. Akiko: Hana, dear it’s good to hear from you. Hana: Hey Akiko, can we meet up this evening? Akiko: Sure, I’m off duty today. Did something happen? You... don't sound quite right. Hana: Let’s discuss it later not over the comms. Akiko: Sure thing. Should I bring some food, or shall we cook something together? Hana: Cooking sounds great. How about curry? Akiko: Okay, I’ll bring the ingredients. See you later, then. Hana: See you later. Akiko and I have become very close friends; if it weren't for her, I’d surely still be stuck in the hospital. The drive to the AD Police Tower passes without interruption. I head straight to the locker room and change out of my uniform. Now home quickly, i really need a shower... this time, I make sure to look out the door first, just to ensure I don't bump into anyone again. You reached the end of this file. Don't forget to close it if you are finished.'
21

Mega Tokyo 2032 AD File 1.1: The Body from Pier 17 Part 2

gildenstein
Idioma
Visualização
Imagens do Grid
Autocompletar prompt
Filtro de Conteúdo
Ajuda e Suporte
ícone de resgate diário: copo vazio
Resgate Diário
Hoje
F
+3
S
+3
S
+4
M
+4
T
+5
W
+5
T
+6
Resgate diariamente para aumentar sua sequência.
ícone de resgate diário: um balde cheio de ouro
Pacotes de créditos

Créditos avulsos

NEW
ícone de missões
Missões

Complete missões para ganhar créditos