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monocle

monocle

0 粉絲
1girlbreastssololong hairlooking at viewerlong sleevesblushclosed mouthhatholdingopen mouthmedium breastsdressblue eyesshirtshort hairnipplescumblack hairindoorsbeltblonde hairsmilethighsgloveswhite shirtstandingpink hairupper bodyjewelry
AI 繪圖「500 ✌️✨️」
11

500 ✌️✨️

ririfake
36
AI 繪圖「More of my girls doing D&D things 2」
6

More of my girls doing D&D things 2

zesoul
10
AI 繪圖「Bespectacled Valicia」
4

Bespectacled Valicia

terror2
14
AI 繪圖「Medieval roleplay」
30

Medieval roleplay

ririfake
8
AI 繪圖「@Cro_bo's challenge - D&D party」
9

@Cro_bo's challenge - D&D party

zesoul
13
AI 繪圖「Primordial Ink and the Inkblight」，使用者描述：「From the setting of Storia. ——— This post was made at the request of @heihund to know more about the world, and of @casca_kirei-onna to know more about the black hand girl from the post: https://betterwaifu.com/post/jh6djf4 ——— Primordial Ink. It is found in a place called "the Inkwell", a large pit or a well at the heart of a crystal mountain. Said to have been used in the making of the world of Storia and the Great Story, the ink was put on the white space of the world and was shaped into letters and meaning. Letters became words. Words became lines. Lines became chapters. And eventually, a story was written. The ink a powerful a substance that can be used to change a story or even make a new one. It is a very valuable substance that has to be held with great care and responsibility. Ink exists in all things, making up the core essence and narrative identity of all things as stories. All stories have some level of influence and even power on the world around them, though most are too weak or small to have any effect. But they are an important part of one's identity and sense of self. However, the ink is also dangerous if mishandled, as any character that comes into direct contact with the primordial ink runs the risk of blotting a part of their story. The order that is harvesting the ink from the Inkwell are known as the Whitehands — named for their all white clothing. In order to prevent a serious staining by the ink, they wear all white so as to notice the stains quickly. Additionally, they are all light or paled skinned and have hair colors that are bright, all to detect and spot any stains if they have any. This of course had caused a divide and prejudice by the Whitehands against other groups of people that did not fit into the requirements, while others have viewed the dark skinned people as blessed by the ink and the narritive. But that is a story for another time. Inkblight can cause narritive gaps in their story, which if severe enough can result in the lose of memory, confusion, losing parts of one's identity, and the loss of the self. This is not an uncommon condition among the Whitehands, and one or two can be spotted in any group. Those that have learned how to handle, use, and apply the ink safely are known as Scribes, with a large group of them known as the Order of Scribes. The scribes are professionals who are capable of reading a story of something directly and apply the ink at the right layers without causing more damage. They are the ones most capable of treating Inkblight, changing details in a story, or creating a new one. The scribes restore stained stories by relying on previous records of their story and being, retellings of their story, in order to fill or add to the lacunae properly. Scribes have to make sure their work does not cause more narritive gaps in the story either, as it can again cause some confusion, sometimes forced to add details about their own connection to how the restoration was done to create coherence in the story. But, it's not a perfect solution. Their restoration cannot restore what was implied or unsaid between the lines. They cannot restore any information that wasn't told in their story or mentioned. Not all details about someone are said outright, but are infered. Not all moments about their lives are recorded, and only portions of them is, whatever was necessary for the Narrative of the story. The worse the staining and the Inkblight, the harder it is to restore it to what it was before. Unfortunately, some stories are too ruined to be restored in the same way. And such cases, eventually, a scribe isn't restoring a person anymore. They use records, testimony, journals, legends, and surviving passages to write a story about someone who should plausibly be that person. They become constructed from the story of themselves rather than the self that produced their story. Such people are referred by scribes as Textbound — somebody restored so extensively that they can no longer meaningfully exist beyond their documented narrative. Their personality, memories, and identity are largely reconstructed from surviving text and testimony. They are bound to what was written about them.」
30

Primordial Ink and the Inkblight

narillia
17
AI 繪圖「Give us strength, oh gracious Mother of the Gods.」，使用者描述：「The Female Spartans warriors march to war. Custom dictates that, on the eve of battle, they seek the aid of the gods. Yet it is not Zeus whose protection they invoke; each of them has left behind husband and child. Hera—Mother of the Gods and protector of family, women, and children—hears their plea. Hera: Do not lose heart, my children. The women of Sparta are strong; freedom has a price. To those willing to pay it, I grant my aid. Rise, warrior, and fulfill your duty to Greece. Warrior: I thank you, gracious Hera. The battle has raged for days, and the warriors of Sparta are paying the price of freedom with their lives. The Mother of the Gods herself stands by their side. After the battle, the survivors recount seeing the Mother of the Gods fighting alongside them—and shedding a tear for each fallen warrior in a gesture of compassion. @warmicestudios @parda @peterco @blackhairedstudent @barry915 @bad77 @octavian @reptorn @zuzul @cef_ultra @zesoul @kendarfulgrim @smut317 @a_casual_prompter @onlyyouprod @hollenwulf @terror2 @lupacal」
19

Give us strength, oh gracious Mother of the Gods.

gildenstein
34
AI 繪圖「Emma」，使用者描述：「Emma heads out looking for clues. Instead, finds someone....Was it him? Someone else? Guess she'll never know. Short story and character inspired by a simple question from @warmicestudios. Hey @peterco, was that you or not?」
27

Emma

barry915
3
AI 繪圖「Strange basement」
30

Strange basement

ririfake
1
AI 繪圖「Steampunk bar」
30

Steampunk bar

ririfake
AI 繪圖
22

無標題

rechi
AI 繪圖「Book lovers day」
3

Book lovers day

goonbanana
AI 繪圖

無標題

cupecha
1
AI 繪圖「Side product」
30

Side product

ririfake
1
AI 繪圖「Genshin」
30

Genshin

sagajay
AI 繪圖「Lady Orvella – The Dollmaker」，使用者描述：「Lady Orvella was born into a famous family of watchmakers. Even as a child, she was less interested in ordinary toys than in complex machines and the question of whether artificial life could be created. After decades of research, she finally succeeded in creating a living porcelain doll: Elria. Orvella considered her to be her greatest masterpiece. But when Elria began to develop her own feelings and desires, Orvella saw this not as a success, but as a mistake. She tried to erase Elria’s memories. When Elria fled, Orvella became increasingly absorbed in her work. In an abandoned doll warehouse, she discovered a Banette that had once been left behind by its owner. Orvella immediately recognized the potential of its ghost energy and began using it for her experiments. Seraphine offered her an artificial resonance crystal that would allow her to combine ghost energy and clockwork magic. Orvella accepted it enthusiastically. Doll Resonance allows her to create magical threads and control her mechanical constructs from a distance. But the more she tries to control Banette, the more unstable the connection becomes. @mikunakano07 @peterco @azariel @heihund @gildenstein @reptorn」
2

Lady Orvella – The Dollmaker

ninonakano
2
AI 繪圖「Countess」

Countess

billbrasky13
AI 繪圖「Steambird scoop」
8

Steambird scoop

wasabikuzu
AI 繪圖「Testar」
3

Testar

nataa001
AI 繪圖「black」
2

black

mimic